All posts by Jesse Daly

About Jesse Daly

Jesse is a music fan and sometimes musician who lives and works in Toronto. When she's not spending her days painting soundwaves or the house, she's at Yuk Yuk's downtown telling guests to have fun and not heckle. Can you believe people still heckle? Crazy huh.

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Showcase Spotlight: Social Potion

Carmen Toth has been a beast in the Toronto music scene, working and posting every day about her various adventures and shows. Social Potion indeed. In a sea of artists hungry for time to play music in between having to Instagram their side hobbies to show their audience how well-rounded they are, Carmen has managed an engaging social media presence that remains authentic. Luckily, the music that drives her is catchy, unique, and ever-evolving.

Her work reflects her self: candid, fearless and open-hearted. Upon our first meeting, we talked at length about everything from divorce to horoscopes and she read my palm, quite accurately in fact. Carmen’s first release was a burst of energy that drew from and celebrated my personal favourite decade for women in rock, the 90’s. Will her upcoming release echo those sentiments? Produced by Derek Downham and engineered by Tim Foy, Carmen describes it as danceable, full band versions of her often acoustic tunes. Downham assures fans that this is “not a throwback. This is now, moving forward.” Sounds like my fascination with 90’s alt rock is about to be blown wide open.

Our conversation on Social Potion’s first EP can be found here.

Check her out at our showcase November 3rd at The Cameron House. $7 at the door.

Episode 36: Lisa Marie Kruchak

Unique breathy vocals paired with a rhythmic guitar technique makes Lisa Marie Kruchak‘s brand of swishy, heavy folk something to behold. Her full length release Miles of Prairie is as personal as it is accessible, especially evocative when it blends sliding bass with meditative melodies, and perfectly paradoxical criss-crossing harmonies. Check her out live Nov 3 at the Cameron House for our Femme Fatale Showcase night!

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Femme Fatale Showcase: *New Lineup!* Win a Pair of Tickets and Swag!

Hey loopers! Our second showcase night is coming up November 3rd, and we have a special giveaway going down. Write a review of our show on any platform you listen to us (iTunes, Stitcher, Facebook) and we will choose a winner at random to receive TWO tickets and TWO AFL T-shirts for you and a guest!

Rules:
Submit a written review of A Feedback Loop on iTunes, Stitcher, Facebook, etc and share/tag it wherever folks do that stuff.
Deadline for submission is Oct 28th. Good luck!!!

Any questions? @afeedbackloop on instagram and facebook.com/feedbacklooppodcast will have the droids you’re looking for.

Episode 35: PUP

One of Dylan’s personal faves, we tackled PUP’s second full release, The Dream is Over. These Toronto-based punk rockers are reinvigorating the genre, making a fan out of Jesse, and managing to pull themes of depression, death, angst and acceptance into a solid and varied record. With as many complex narratives as there are straightforward loud-fun-angry tracks, it’s a safe bet to say their dream is only beginning.

Episode 34: The Brandy Alexanders

Jess is back to talk Windsor-based psychedelic rock-pop from The Brandy Alexanders. It’s steeped in the likes of Pink Floyd and middle-era Beatles, but with enough rhythmic interest and layered instrumentation to make their mark on the genre. Check them out here and stay tuned till the end of the episode for details on our next showcase night November 3rd at The Cameron House!

Episode 32: Clara Engel

Find your spirit guide and take a trip with us for Clara Engel’s most recent relsease Visitors Are Allowed One Kiss. It’s doom folk, “avant-blues hymns” centered on dusty, raw vocals and acoustic guitar. Hauntingly beautiful and meditiative, Engel’s international collaboration builds a dark fairytale of a record. Jess digs into themes of seduction and death’s release, and Dylan explores how depression is perfectly captured in “Once A White Owl.” Heavy but worth it, friends. Get in the loop!

Episode 31: SirenPhase

Windsor-based metal prog rock with an intense apocalyptic maybe-not-so-distant future narrative. The most densely concise concept album we’ve done on AFL, it’s Siren Phase’s Origins EP. Dylan muses on the influences of H.R. Gieger in sci-fi, and Jess recounts her experience with The Purge franchise. Subscribe on iTunes and Stitcher, and stay tuned for news about A Very Open Mic Night!

Episode 30: Social Potion

After a stellar anniversary showcase, we’re back with a LOT of easy to love tunage! We tucked into Social Potion‘s first release, and is it ever a lovely take on adult alternative pop with a real Women & Songs meets Aimee Mann feel. Some things we get into: King Lear references, keeping yourself together after a breakup, pranking your drunk dad on Christmas to hit those high notes in Beatles Rock Band (Carmen can. Dylan’s dad, not so much), and what it’s like to meet your heroes. EXCITING ANNOUNCEMENT ALERT so stay tuned till the end!

AFL Anniversary Showcase: Big Otter Creek

Closing out the night for our showcase is a band that had been close to my heart since I moved to Toronto 6 years ago. Big Otter Creek’s Dan Gangon was one of the first people I met in the music scene here, and if you’re not sure who he is, just check out your facebook page and you will find you’ve got 18 friends in common and he has played music with about half of them.

As one of the band’s singers (sharing this role with fellow guitarist and equally wonderful John Bridgens), Dan’s undeniable rasp and alt-country style has made them a force to be reckoned with. Their current lineup of multi-talented dudes also includes Ben Healy, Jake Saenz and Jesse Shapiro. Since releasing the Orange Takes (from way back to Ep 3!), their sound has fleshed out with a third guitar, and new songs from both Dan and John that range from bluesy and plucky to shuffly and sweet.

The real shining star of Big Otter Creek is the fact that these fellas are so consistently them.

When a band changes their lineup (in this case losing one member and gaining two), it can be a catalyst in their demise or (also in this case) it can breath new life into their old tunes, and bridge the gap to new music. But the Big Otter Creek brand remains intact. There’s a phenomenon I’ve observed with people torn between the big smoke and the sticks energy of city folk stirred with their insatiable desire to get back to the country will always be a relatable notion to great Canadians, especially during our fleeting summers.

It’s not easy to toe the line between tight, harmonic guitar driven blues and softer, jangly country flavours, but BOC delivers in a big way. Don’t believe me? Better come see for yourself tomorrow night. You can tell me right to my face that I was right 🙂

 

RSPV already! 4 great and varied acts in one night, how can you go wrong?