Shiny 80s brit pop meets indie rock shoe gaze with Toronto’s Alvvays. Blending new wave synths with hints of distorted guitar tones, their second release Antisocialites has range in every sense. Sonically massive, it’s a spacious and colourful record that is both washy and crisp. Masterful production, honest and dynamic emotional moments, and an ode to Jim Reid (Jesus and Mary Chain) make this sophomore record a perfect introduction to their sound.
Strictly Purple‘s Forgotten Songs EP is a mixed bag of folksy-stripped down shoegaze with two contrasting vocalists and great ambient synths. At their best when sharing a tune, Adam and Amina bring together strength and vulnerability, creating both smoothly, haunting surrealism and rougher emotionally raw takes. Forgotten Songs these will not be.
A modern take on prog rock, with plenty of ambience and a bit of a horror vibe, Father Owl’s self-titled album is great for listening to in the dark, in-between spaces. If you’re not into prog rock, the sound is still pretty accessible (and very awesome), so you might find yourself looking a little further into the genre. Check’em out at www.fatherowlmusic.com!
Gillian Nicola’s first release No Place To Call is as captivating as it is solitudal. The unique lilt of her alt-country vocals alone brings to life the stories of bitter heartache and, with Oh Marie, the bizarre reality of watching an idol fall. The band creates ambient, wintery soundscapes formed through a classic pop/rock template, while breaking the mould enough to excite even a tough critic. Fans of Ingrid Michaelson, Sheryl Crow and Emmylou Harris will appreciate the candidness and expert use of the pedal steel guitar. Check Gillian out Nov 3rd at The Cameron House for our AFL Femme Fatale Showcase!